The Finger
Pointing at
the Picture
Performative iconology
and the Empathy
of Citational Images
Maria Gil Ulldemolins
Preface
Kiss the Ancient
Boo-Boo
or the slippage between holding, curing, and pointing
Chapter 1
Doubting Thomas
or the need to put one's own finger into it
Matthias Stom and workshop - The incredulity of St Thomas, c. 1630
The Incredulity of Saint Thomas by Caravaggio, c. 1602
Leendert van der Cooghen, The Doubting Thomas, 1654
Abraham Janssens I: The Doubting Thomas, c. 1610
Matthias Stom
Chapter 2
A Finger is a Finger is a Finger
or an iconology of pointing
Chapter 3
Stars, Lambs and Bones
or the promise of stayin' alive
Jan van Eyck - The Annunciation, c 1434
Domenico Veneziano, Annunciation, c. 1445
Fra Angelico, Annunciation, c. 1433
Matthias Grünewald, c. 1512
Leonardo Da Vinci, 1513
El Greco, c. 1600
De heilige Hiëronymus in zijn studievertrek (1541), Museo del Prado
De heilige Hiëronymus in zijn studievertrek (1541), Museo del Prado
De heilige Hiëronymus in zijn studievertrek (1541), Museo del Prado
Melun Diptych, by Jean Fouquet, c 1456
Chapter 4
Aby the Seismograph
or the sensitive science
Chapter 5
L'Imbécile
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or iconology's reassurance
Chapter 6
Finger Gloves
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or the glitch holds the wound close
https://theartofgooglebooks.tumblr.com/tagged/pointing
Conclusion
The Monster
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or you just need to go through it
Thank you.
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maria.gilulldemolins@uhasselt.be
projectpassage.net