Please use this identifier to cite or link to this item: http://hdl.handle.net/1942/42370
Title: Wie wat vindt heeft slecht gezocht
Contributors/Performers: SWILLEN, Anneleen 
Issue Date: 2023
Abstract: In recent years, artistic research has gained an increasingly important position within artists’ practices, both within an art and education context, as a way of acquiring, generating and sharing knowledge. Simultaneously, practice-based research is a complex concept to grasp and generates room for discussion, certainly within craft-based disciplines where the provenance, impact and use of materials, techniques and skills are often dominated by functionality and where its social and cultural relevance are sometimes secondary to artistry and physical outcomes. The exhibition 'Wie wat vindt heeft slecht gezocht' unites researchers and artists affiliated with PXL-MAD School of Arts, Hasselt, and Hasselt University, Belgium. The intention of this exhibition is to show the practice of eight artists who work internationally in the (broad) discipline of jewellery and body-related objects. Although their research processes and related methodologies are very diverse, reflection on the making process and on artistic research as such are important components they share. Through experimental and interdisciplinary research into and with contemporary jewellery and body-related objects, at the interface between fine art, ‘the objet d’art’, and design, these researchers explore contemporary (re-)translations of traditional artistic forms, materials, techniques, functions and/or concepts. In addition to the final product, the creation process itself is of the utmost importance, as it is based on the active interaction between materialisation and idea as a design method. In this process, the body often acts as a provider of meaning and as a carrier of tacit knowledge or specific memories. As such, the intention of this exhibition is not only to contribute to ongoing debate on research in the arts, but also to provide new impulses specifically in the field of contemporary jewellery and objects. Researchers and alumni from PXL-MAD and Hasselt University, hosted by Atelier David Gotlib in Antwerp: Anneleen Swillen, Charlotte Vanhoubroeck, Jesse Magee, Joani Groenewald, Liesbet Bussche, Madeli Viljoen, Maria Konschake, Patricia Domingues Date: 24–26.11.2023 Opening Times: Friday 12:00-19:00, Saturday 11:00–20:00, Sunday 11:00–17:00 Opening Event: 25.11.2023, 18:00 Location: Atelier David Gotlib– Korte Klarenstraat 9, 2000 Antwerp, Belgium @atelierdavidgotlib This exhibition took place within the context of 'Obsessed!' A jewellery festival organised by Current Obsession.
Keywords: research in the arts;jewellery;object;exhibition
Document URI: http://hdl.handle.net/1942/42370
Link to publication/dataset: https://obsessedwithjewellery.com/event/wie-wat-vindt-heeft-slecht-gezocht-anyone-who-finds-something-has-searched-badly
https://www.current-obsession.com/craft-as-activism/
https://www.instagram.com/atelierdavidgotlib/?next=https%3A%2F%2Fwww.instagram.com%2Fp%2FCE549iIj-yM%2Fc%2F17879622334823638%2F%3F__coig_login%3D1
https://www.pxl.be/Pub/Home/In-De-Kijker/Wie-wat-vindt-heeft-slecht-gezocht.html?filter=208
Discipline: beeldende kunsten
Research Context: In recent years, artistic research has gained an increasingly important position within artists’ practices, both within an art and education context, as a way of acquiring, generating and sharing knowledge. Simultaneously, practice-based research is a complex concept to grasp and generates room for discussion, certainly within craft-based disciplines where the provenance, impact and use of materials, techniques and skills are often dominated by functionality and where its social and cultural relevance are sometimes secondary to artistry and physical outcomes. The exhibition 'Wie wat vindt heeft slecht gezocht' unites researchers and artists affiliated with PXL-MAD School of Arts, Hasselt, and Hasselt University, Belgium. The intention of this exhibition is to show the practice of eight artists who work internationally in the (broad) discipline of jewellery and body-related objects. Although their research processes and related methodologies are very diverse, reflection on the making process and on artistic research as such are important components they share. Through experimental and interdisciplinary research into and with contemporary jewellery and body-related objects, at the interface between fine art, ‘the objet d’art’, and design, these researchers explore contemporary (re-)translations of traditional artistic forms, materials, techniques, functions and/or concepts. In addition to the final product, the creation process itself is of the utmost importance, as it is based on the active interaction between materialisation and idea as a design method. In this process, the body often acts as a provider of meaning and as a carrier of tacit knowledge or specific memories. As such, the intention of this exhibition is not only to contribute to ongoing debate on research in the arts, but also to provide new impulses specifically in the field of contemporary jewellery and objects.
Impact Description: The exhibition was successful as it attracted a large number of visitors, among which researchers, lecturers, curators, artists, designers, gallery owners and collectors. From their visits, new opportunities came forth, such as an invitation to give a lecture at St-Lucas, Antwerp about my research (Spring 2024), as well as the opportunity to install this exhibition at PXL-MAD School of Arts (Fall of 2024).
Related Info: PXL-MAD School of Arts Hasselt
Current Obsession
David Gotlib
Ornamutations
Category: AOR
Type: Artistic/designerly creation
Appears in Collections:Artistic/designerly creations

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