Please use this identifier to cite or link to this item: http://hdl.handle.net/1942/44719
Full metadata record
DC FieldValueLanguage
dc.coverage.spatialCas-co Leuven-
dc.date.accessioned2024-11-27T14:21:50Z-
dc.date.available2024-11-27T14:21:50Z-
dc.date.issued2024-
dc.date.submitted2024-10-21T09:06:09Z-
dc.identifier.urihttp://hdl.handle.net/1942/44719-
dc.description.abstract‘Reader, I invite you to do the reading of the writing of my reading of what I am writing,’ writes the French poet Francis Ponge in La table (1967-73), the last of his notebook works, devoted to the table that is his immediate work environment. In this performance reading, Jeroen Peeters takes up the invitation to do the reading of this notebook and the tables it evokes. Seated at a wooden table, Peeters activates the book of Ponge by way of reading, gestures as well as visual and textual annotations that are projected live.-
dc.formatLecture-performance of 35 minutes with live projection.-
dc.subject.otherReadership-
dc.subject.otherbook activation-
dc.titleA Table-
dc.typeArtistic/designerly creation-
local.bibliographicCitation.jcatAOR-
local.type.specifiedEvent:Lecture-performance-
dc.date.started2024-04-27-
arts.contributor.creatorartistPEETERS, Jeroen-
arts.review.reviewDisciplinemultidisciplinair-
arts.review.researchContextThis performance reading was first presented in the framework of 'Back-to-back: perspectives on artists' writing and publishing', curated by Alicja Melzacka at Cas-co in Leuven, 27-28 April 2024. Participating guests: Henry Andersen, Clara Amaral, Francesca Hawker, Will Holder, Martha Jager, Jeroen Peeters, Isabelle Sully, Reinier Vrancken. They're all engaged in experimental artistic publishing practices and explored the rela­ti­ons­hip bet­ween text and body. Publishing and book­bin­ding ter­mi­no­lo­gy abounds in bodi­ly metap­hors and voca­bu­la­ry bor­ro­wed from cho­re­o­grap­hy, like dos à dos (‘back-to-back’) or tête-bêche (‘head-to-toe’). This dual mea­ning, also appa­rent in the fes­ti­val’s tit­le Druk (trans­la­ting to both ​‘edi­ti­on’ and ​‘pres­su­re’), under­sco­res publis­hing’s intrin­sic con­nec­ti­on to mate­ri­a­li­ty – of prin­ted mat­ter and the writer’s/ rea­der’s phy­si­ca­li­ty – and offers a pre­mi­se for the explo­ra­ti­on of the rela­ti­ons­hip bet­ween text and body. From the van­ta­ge points of the invi­ted artist, wri­ters, publis­hers, cura­tors, and desig­ners, fre­quent­ly per­for­ming seve­r­al of tho­se roles simul­ta­neous­ly, the pro­gram­me explo­res an expand­ed field of publis­hing, with a par­ti­cu­lar focus on its per­for­ma­ti­ve dimension. Taking pla­ce across two after­noons, the pro­gram­me strings together a series of diver­se con­tri­bu­ti­ons that in some pla­ces touch each other and address, amongst other, the posi­ti­on of wri­ting and rea­ding within artis­tic prac­ti­ce; how tex­tu­al objects – books, sco­res, docu­ments, records – can be (re)published through per­for­man­ce; and how net­works and com­mu­ni­ties of prac­ti­ce are for­med through publishing.-
arts.relatedInfo.relatedOrganizationCas-co Leuven-
dc.identifier.urlhttps://cas-co.be/activiteiten/back-to-back-perspectives-on-artists-writing-and-publishing-
item.contributorPEETERS, Jeroen-
item.fullcitation (2024) A Table.-
item.artistPEETERS, Jeroen-
item.fulltextNo Fulltext-
item.accessRightsClosed Access-
Appears in Collections:Artistic/designerly creations
Show simple item record

Google ScholarTM

Check


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.