Please use this identifier to cite or link to this item: http://hdl.handle.net/1942/48512
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dc.coverage.spatialThe Collector's House Wolstraat 16, 2000 Antwerp-
dc.date.accessioned2026-02-16T11:02:42Z-
dc.date.available2026-02-16T11:02:42Z-
dc.date.issued2025-
dc.date.submitted2026-01-28T17:04:48Z-
dc.identifier.urihttp://hdl.handle.net/1942/48512-
dc.description.abstractFollowing Ornamutations, and continuing their exploration of concepts such as embodiment and fluidity, Artificial Intelligems initiated another open call in 2022. With contributions from 96 participants worldwide, they gathered over 1,000 photos of jewellery on human skin. These images became the foundation for a custom machine learning algorithm to co-create Ornamisms with. In the latest iteration of this ongoing project, pieces from Swillen’s recent orthodontic and periodontal treatments are brought into dialogue with the AI-generated imagery. Connecting medtech, jewellery, skins, screens, and code, the work speculates about (e)merging bodies in an age of AI.-
dc.titleOrnamisms (Crystal UHD/Bright)-
dc.typeArtistic/designerly creation-
local.bibliographicCitation.jcatAOR-
local.type.specifiedArtefact:Video-
local.type.specifiedArtefact:Jewelery-
local.type.specifiedArtefact:Experimental-
dc.date.started2025-11-21-
dc.date.ended2025-11-23-
arts.review.reviewDisciplinemultidisciplinair-
arts.review.researchContextArtificial Intelligems, founded by Anneleen Swillen and Greg Scheirlinckx in 2020, bridges jewellery with graphic design, music, performance, and machine learning. Through participatory projects such as Ornamutations and Ornamisms, developed in collaboration with over 100 participants and a custom A I model, Artificial Intelligems researches co-creative, speculative, futures adornment. By creating space for collaboration, experimentation, and critical reflection, they aim to expand notions of human-centred design, materiality, value, and authorship, thereby exploring jewellery as sites for more-than-human encounters, (re)imagination, entangled agency, and co-learning within a post-digital culture. In the latest iteration of this ongoing project, pieces from Swillen’s recent orthodontic and periodontal treatments are brought into dialogue with the AI-generated imagery. Connecting medtech, jewellery, skins, screens, and code, the work speculates about (e)merging bodies in an age of AI.-
arts.review.impactDescriptionThe project was intended to be showcased at the exhibition "IT'S A GLOW THING!" during the Obsessed! Jewellery Festival in November 2025, which was curated by Les Brucelles (Silke Fleischer and Sandra Kleimberg). Unfortunately, after the installation and just before the exhibition's opening, the screen broke for unknown reasons. As the video and the screen are crucial to this project's installation, the work was removed from the exhibition.-
arts.review.impactReferenceSee the exhibition booklet via https://www.lesbrucelles.org/obsessed-festival-2025-
arts.relatedInfo.relatedOrganizationLes Brucelles-
arts.relatedInfo.relatedProjectArtificial Intelligems-
arts.relatedInfo.relatedProjectOrnamutations-
arts.relatedInfo.relatedProjectOrnamisms-
arts.contributor.creatorjewellerydesignerSWILLEN, Anneleen-
item.fulltextWith Fulltext-
item.fullcitation (2025) Ornamisms (Crystal UHD/Bright).-
item.contributorSWILLEN, Anneleen-
item.artistSWILLEN, Anneleen-
item.accessRightsOpen Access-
Appears in Collections:Artistic/designerly creations
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Artificial_Intelligems_Ornamisms (Crystal UHD:Bright)_2025.JPGPublished version3.8 MBJPEGView/Open
Artificial_Intelligems_Ornamisms (Crystal UHD:Bright)_2025_.JPGPublished version4.38 MBJPEGView/Open
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