Please use this identifier to cite or link to this item: http://hdl.handle.net/1942/13918
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dc.contributor.authorHERSSENS, Jasmien-
dc.contributor.authorHeylighen Ann-
dc.date.accessioned2012-08-31T06:22:27Z-
dc.date.available2012-08-31T06:22:27Z-
dc.date.issued2011-
dc.identifier.citationLeclercq, Pierre; Martin, Geneviève; Heylighen, Ann (Ed.). Designing together, p. 685-700-
dc.identifier.isbn9782874561429-
dc.identifier.urihttp://hdl.handle.net/1942/13918-
dc.description.abstractArchitectural design is characterized by a visual bias, as evidenced in architectural theory and design research. Also in design practice non-visual sensory aspects are often neglected. Consequently many built environments are not sensory accessible for a diversity of people. The paper reports on a workshop with professional architects to evaluate a framework of haptic design parameters. The framework is developed to support architects in paying more attention to the role of touch during design, by informing them about the haptic implications of their design decisions. Additionally design techniques are suggested to assess haptic qualities during the design process. Characteristics of both framework and techniques are based on the expertise of people born blind as they are more attentive to non-visual information, and professional caregivers working with them. Feedback suggests that the architects quickly picked up the idea of the framework, and recognized its relevance, but that the framework‘s representation confronts us with a sensory paradox: while the parameters question the visual bias in architectural design, they are meant to be used by architects, who are used to think, know and work in a visual way. The paper concludes with suggestions for the possible role that CAD may play in stimulating and inspiring architects to implement haptic parameters and assess a design in terms of haptic qualities.-
dc.language.isoen-
dc.publisherLes Editions de l'Université de Liège-
dc.relation.ispartofseriesDesigning Together - CAADfutures 2011-
dc.titleChallenging Architects to Include Haptics in Design: Sensory Paradox between Content and Representation-
dc.typeProceedings Paper-
local.bibliographicCitation.authorsLeclercq, Pierre-
local.bibliographicCitation.authorsMartin, Geneviève-
local.bibliographicCitation.authorsHeylighen, Ann-
local.bibliographicCitation.conferencedate4-8 July 2011-
local.bibliographicCitation.conferencenameCAAD Futures-
local.bibliographicCitation.conferenceplaceLiège, Belgium-
dc.identifier.epage700-
dc.identifier.spage685-
local.bibliographicCitation.jcatC1-
local.publisher.placeLiège-
dc.relation.references1.Cross N (1982) Designerly Ways of Knowing. Design Studies 3(4): 221-227. 2.Dischinger M (2006) The Non-Careful Sight, In Devlieger P et al. (Eds), Blindness and the Multi-Sensorial City, Garant, Antwerp, pp. 143–176. 3. Pallasmaa J (2005 (1996)) The Eyes of the Skin, Wiley-Academy, Chichester. 4. Tschumi, B (1975) The Architectural Paradox. In Hays MH (Ed.) Architecture theory since 1968, MIT, Cambridge (Mass.), pp. 214-216. 5. Brosnan C (2003) Our Mirrored Selves, referred to in Froyen H et al. (2006) Universal Design Education Toolkit, Gelijke Kansen in Vlaanderen, Brussels. 6. Clarkson J et al.(2007) Inclusive Design Toolkit, Engineering Design Center, Cambridge. 7. Ostroff E (2001) Universal Design. In Preiser WFE, Ostroff E (Eds) Universal Design Handbook. Mc Graw Hill Professional, New York, Chapter 1. 8. EIDD, Petrén, F et al. (2008) http://www.designforalleurope.org/Design-for-All/ 9. Millar, S (2005) Network models for haptic perception. Infant Behavior & Development 28:250-265. 10. Révész, G (1931) Uber die Natur der optischen und haptischen Formwahrnemung. Koninklijke Academie voor Wetenschap, Amsterdam 11. Révész, G (1950) Psychology and Art of the Blind. Longmans, Green, London 12. Herssens, J, Heylighen, A (2010) Blind Body Language. In Clarkson P et al. (Eds.), Proceedings of the 5th Cambridge Workshop on Universal Access and Assistive Technology. Cambridge (UK): University of Cambridge, pp. 109-118. 13. Heller, MA (2000) Touch, Representation, and Blindness. Debates in psychology. Oxford Univ. Press, Oxford 14. Turvey, MT (1996) Dynamic Touch, American Psychologist 51(11):1134-1152. 15. Herssens, J, Heylighen, A (2009) A lens into the haptic world. Include 2009 Proceedings. London: Helen Hamlyn Centre, 10 p. 16. Herssens, J., Heylighen, A. (2011). Haptic design research. ARCC/EAAE 2010 International Conference on Architectural Research Proceedings (in print). 17. Kroll E, Condoor SS, Jansson DG (2004 (2001)) Innovative Conceptual Design, Cambridge University Press, Cambridge. 18. Elsen C et al.(2011) An Anthropo-Based Standpoint on Mediating Objects. In Gero J (ed), Design Computing and Cognition DCC'10; Springer, pp. 55-74. 19. Pagliano P (1999) Multisensory Environments, David Fulton Publ., London. 20. Heylighen A, Martin W, Cavallin H (2004) From repository to resource: Exchanging stories of and for architectural practice. Journal of Design Research, 4 (1). 21. Yaneva A (2009) The Making of a Building, Peter Lang AG, Bern. 22. Pallasmaa J (2005) Encounters, MacKeith P (Ed), Rakennustieto Oy (Building Information Ltd), Helsinki. 23. Follette Story M (2001) Principles of Universal Design. In Preiser WFE, Ostroff E (Eds) Universal-
local.type.refereedRefereed-
local.type.specifiedCorrection, Addition-
dc.bibliographicCitation.oldjcatC2-
local.bibliographicCitation.btitleDesigning together-
item.fulltextWith Fulltext-
item.contributorHERSSENS, Jasmien-
item.contributorHeylighen Ann-
item.accessRightsClosed Access-
item.fullcitationHERSSENS, Jasmien & Heylighen Ann (2011) Challenging Architects to Include Haptics in Design: Sensory Paradox between Content and Representation. In: Leclercq, Pierre; Martin, Geneviève; Heylighen, Ann (Ed.). Designing together, p. 685-700.-
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