Please use this identifier to cite or link to this item: http://hdl.handle.net/1942/18284
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dc.contributor.authorROES, Remco-
dc.date.accessioned2015-02-09T08:11:23Z-
dc.date.available2015-02-09T08:11:23Z-
dc.date.issued2012-
dc.identifier.citationThe art of research 2012, Helsinki, 28/11/2012-
dc.identifier.urihttp://hdl.handle.net/1942/18284-
dc.description.abstractThis paper serves as a contextualisation of the artistic project entitled “Nothing will come of nothing, speak again.” which entailed a working period and an exhibition in a disused chapel. The entire project (working process and exhibition) has been translated into a book, which is entered into the conference as a physical exhibit as well as a PDF file. This text should not be read separately from the book it describes. Using the book as a casestudy I will illustrate how it functions as a methodological tool that helps to unite theory and practice within one conceptual space.-
dc.language.isoen-
dc.subject.othersublime; methodology; books; map-
dc.titleThe scenography of sublime space: a spatial methodology-
dc.typeConference Material-
local.bibliographicCitation.conferencedate28/11/2012-
local.bibliographicCitation.conferencenameThe art of research 2012-
local.bibliographicCitation.conferenceplaceHelsinki-
local.format.pages9-
local.bibliographicCitation.jcatC2-
dc.relation.referencesAndreotti, L. & Costa, X. (eds.) (1996). Theory of the dérive and other situationist writings on the city. Barcelona: Actar. Bomans, S. & Roes, R. (2012). “Nothing will come of nothing, speak again.”. Hasselt: Prett Press Boomgaard, J. (2011). The chimera of method. In: Wesseling, J. (ed.) (2012). The Artist as researcher. Amsterdam: Valiz. (pp. 58-71) Debord, G. (1956). Theory of the dérive. In: Andreotti, L. & Costa, X. (eds.) (1996). Theory of the dérive and other situationist writings on the city. Barcelona: Actar. (pp. 22-27) Geerts, B. (2011). The painterly painting revisited. Leuven: K.U.Leuven. Huybrechts, L. & Peeters, J. (2012). Bart Geerts: Text and Art Work in Artistic Research. Retrieved 20-08-2012, from: http://associatie.kuleuven.be/fak/nl/articles/bart-geerts-textand- art-work-artistic-research Morley, S. (2010). The sublime. London: MIT Press. Tukiainen, K. (2010a). Manifesto of pleasure and escapism Paradis A-Z. In: MaHKUzine Journal of artistic research. Nr.10 Summer 2011. (pp. 57-65) Tukiainen, K. (2010b). As the academy turns, part 6. Retrieved 06-02-2012, from Vimeo.com: http://vimeo.com/19702250)-
local.type.refereedRefereed-
local.type.specifiedPaper-
dc.identifier.urlhttp://designresearch.aalto.fi/events/aor2012/selected_papers_3.php-
item.contributorROES, Remco-
item.fulltextWith Fulltext-
item.fullcitationROES, Remco (2012) The scenography of sublime space: a spatial methodology. In: The art of research 2012, Helsinki, 28/11/2012.-
item.accessRightsOpen Access-
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