Please use this identifier to cite or link to this item: http://hdl.handle.net/1942/21945
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dc.contributor.authorSTEVENS, Ruth-
dc.contributor.authorPETERMANS, Ann-
dc.contributor.authorVANRIE, Jan-
dc.date.accessioned2016-09-01T08:10:16Z-
dc.date.available2016-09-01T08:10:16Z-
dc.date.issued2016-
dc.identifier.citationINTERIORS-DESIGN ARCHITECTURE CULTURE, 7 (2-3), pag. 135-154-
dc.identifier.issn2041-9112-
dc.identifier.urihttp://hdl.handle.net/1942/21945-
dc.description.abstractConjoint interiors, the semi-public interior spaces located in e.g. large-scale dwelling projects, host different functions for a variety of users. Designers of conjoint interiors today, face the major challenge of accommodating the increasingly varied design briefs of this variety of users. In these environments, people today tend to emphasize intangible qualities, the ‘feel’ of the environment, much more than tangible ones, i.e., the ‘look’ of the environment. Consequently, instead of working with a purely spatial design brief, designers are now provoked to work with more emotional briefs, taking into account not only the objective and physical characteristics, but also more subjective requirements. Although it is clear that designers of these conjoint interiors will need to work within a more human-centred framework, the question remains of how this process can become more focused towards creating intangible qualities and specific spatial affordances. To address this question, our contribution investigates the intangible qualities and the design approach of two cases: Dom Narkomfin, the so-called ‘social condenser’ (designed by Ginzburg in 1928), and Layer Cake, the outcome of a 2015 design exercise of a residence for older persons that approaches the conjoint interior from a renewed social perspective. These cases will be analysed via two lenses: (1) a societal perspective, researching context and target group, and (2) a more anthropological perspective, focusing on experiences and intangible design qualities. The results will be used to propose architectural-theoretical principles that attempt to reinvigorate the ‘social condenser’-concept as a way to address new design briefs in conjoint interiors today.-
dc.language.isoen-
dc.rights© 2016 Informa U K Limited, trading as Taylor & Francis Group-
dc.subject.otherinterior architecture; conjoint interior; social condenser; Dom Narkomfin; design exercise-
dc.titleBit by byt towards a contemporary conjoint interior: from Dom Narkomfin to a new social condenser-
dc.typeJournal Contribution-
dc.identifier.epage154-
dc.identifier.issue2-3-
dc.identifier.spage135-
dc.identifier.volume7-
local.format.pages20-
local.bibliographicCitation.jcatA1-
dc.description.notesStevens, R (reprint author), Hasselt Univ, Fac Architecture & Arts, Hasselt, Belgium. ruth.stevens@uhasselt.be-
local.type.refereedRefereed-
local.type.specifiedArticle-
dc.identifier.doi10.1080/20419112.2016.1201908-
dc.identifier.isi000388169600002-
item.contributorSTEVENS, Ruth-
item.contributorPETERMANS, Ann-
item.contributorVANRIE, Jan-
item.validationecoom 2017-
item.fullcitationSTEVENS, Ruth; PETERMANS, Ann & VANRIE, Jan (2016) Bit by byt towards a contemporary conjoint interior: from Dom Narkomfin to a new social condenser. In: INTERIORS-DESIGN ARCHITECTURE CULTURE, 7 (2-3), pag. 135-154.-
item.accessRightsRestricted Access-
item.fulltextWith Fulltext-
crisitem.journal.issn2041-9112-
crisitem.journal.eissn2041-9120-
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