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http://hdl.handle.net/1942/25083
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DC Field | Value | Language |
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dc.contributor.author | HELLER, Florian | - |
dc.contributor.author | Cheung Ruiz, Irene Meiying | - |
dc.contributor.author | Borchers, Jan | - |
dc.date.accessioned | 2017-10-23T13:51:35Z | - |
dc.date.available | 2017-10-23T13:51:35Z | - |
dc.date.issued | 2017 | - |
dc.identifier.citation | Proceedings of the International Conference on New Interfaces for Musical Expression, NIME,p. 34-37 | - |
dc.identifier.issn | 2220-4806 | - |
dc.identifier.uri | http://hdl.handle.net/1942/25083 | - |
dc.description.abstract | Learning to play the transverse flute is not an easy task, at least not for everyone. Since the flute does not have a reed to resonate, the player must provide a steady, focused stream of air that will cause the flute to resonate and thereby produce sound. In order to achieve this, the player has to be aware of the embouchure position to generate an adequate air jet. For a beginner, this can be a difficult task due to the lack of visual cues or indicators of the air jet and lip position. This paper attempts to address this problem by presenting an augmented flute that makes the parameters of the embouchure visible and measurable. The augmented flute shows information about the area covered by the lower lip, estimates the lip hole shape based on noise analysis, and shows the air jet direction. Additionally, the augmented flute provides directional and continuous feedback in real time, based on data acquired from experienced flutists. In a small experiment with five novices, most participants could produce a sound with only minimal instructions. | - |
dc.description.sponsorship | This work was funded in part by the German B-IT Foundation. | - |
dc.language.iso | en | - |
dc.publisher | NIME | - |
dc.relation.ispartofseries | Archive of NIME Proceedings | - |
dc.rights | Licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0). Copyright remains with the author(s) | - |
dc.subject.other | flute; learning; augmented instruments | - |
dc.title | An Augmented Flute for Beginners | - |
dc.type | Proceedings Paper | - |
local.bibliographicCitation.conferencedate | 15-19/05/2017 | - |
local.bibliographicCitation.conferencename | International Conference on New Interfaces for Musical Expression (NIME 2017) | - |
local.bibliographicCitation.conferenceplace | Copenhagen, Denmark | - |
dc.identifier.epage | 37 | - |
dc.identifier.spage | 34 | - |
local.bibliographicCitation.jcat | C1 | - |
dc.relation.references | 1] J.-H. Alt es. Method for the Boehm Flute. Carl Fischer, 1897. [2] A. Bro oke. The modern method for Boehm ute. 1912. [3] A. R. da Silva, M. M. Wanderley, and G. Scavone. On the use of ute air jet as a musical control variable. In NIME '05, pages 105{108, 2005. [4] L. De Lorenzo. My Complete Story of the Flute: The Instrument, the Performer, the Music. Instrument, the Performer, the Music Series. Texas Tech University Press, 1992. [5] N. H. Fletcher. Some acoustical principles of ute technique. The Instrumentalist, 28(7):57{61, 1974. [6] N. H. Fletcher. Acoustical correlates of ute p erformance technique. The Journal of the Acoustical Society of America, 57(1):233{237, 1975. [7] C. Palacio-Quintin. The hyp er- ute. In NIME '03, pages 206{207, 2003. [8] C. Palacio-Quintin. Eight years of practice on the hyp er- ute: Technological and musical p ersp ectives. In Proceedings of the 8th International Conference on New Interfaces for Musical Expression, 2008. [9] E. Putnik. The Art of Flute Playing. The Art of Series. Summy-Birchard Company, 1973. [10] K. J. G. Romero, D. A. R. Lop ez, L. A. Luengas, and J. C. Guevara. Virtual ute: Electronic device that uses virtual reality to teach how to play a ute. In IEEE EDUCON 2010 Conference, pages 211{216, April 2010. [11] D. Siwiak, A. Kapur, and D. A. Carnegie. Music technology's in uence on ute p edagogy: A survey of their intersection. In ICMC '14: Procedings of the 2014 International Computer Music Conference, 2014. [12] G. Wilco cks. Improving Tone Production on the Flute with Regards to Embouchure, Lip Flexibility, Vibrato and Tone Colour, as Seen from a Classical Music Perspective. 2006. [13] S. Ystad and T. Voinier. A virtually real ute. Computer Music Journal, 25(2):13{24, 2017/01/30 2001. | - |
local.type.refereed | Refereed | - |
local.type.specified | Proceedings Paper | - |
local.identifier.vabb | c:vabb:437867 | - |
local.class | dsPublValOverrule/author_version_not_expected | - |
dc.identifier.url | http://www.nime.org/proceedings/2017/nime2017_paper0007.pdf | - |
local.bibliographicCitation.btitle | Proceedings of the International Conference on New Interfaces for Musical Expression | - |
item.validation | vabb 2019 | - |
item.fulltext | With Fulltext | - |
item.accessRights | Open Access | - |
item.fullcitation | HELLER, Florian; Cheung Ruiz, Irene Meiying & Borchers, Jan (2017) An Augmented Flute for Beginners. In: Proceedings of the International Conference on New Interfaces for Musical Expression, NIME,p. 34-37. | - |
item.contributor | HELLER, Florian | - |
item.contributor | Cheung Ruiz, Irene Meiying | - |
item.contributor | Borchers, Jan | - |
Appears in Collections: | Research publications |
Files in This Item:
File | Description | Size | Format | |
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augmentedFlute.pdf | Published version | 2.28 MB | Adobe PDF | View/Open |
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