Please use this identifier to cite or link to this item: http://hdl.handle.net/1942/25110
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dc.contributor.authorROES, Remco-
dc.contributor.authorPINT, Kris-
dc.date.accessioned2017-11-06T09:46:44Z-
dc.date.available2017-11-06T09:46:44Z-
dc.date.issued2017-
dc.identifier.citationPalgrave Communications,(3), (Art N° 8)-
dc.identifier.issn2055-1045-
dc.identifier.urihttp://hdl.handle.net/1942/25110-
dc.description.abstractWhat could be the place of artistic research in current contemporary scholarship in the humanities? The following essay addresses this question while using as a case study a collaborative artistic project undertaken by two artists, Remco Roes (Belgium) and Alis Garlick (Australia). We argue that the recent integration of arts into academia requires a hybrid discourse, which has to be distinguished both from the artwork itself and from more conventional forms of academic research. This hybrid discourse explores the whole continuum of possible ways to address our existential relationship with the environment: ranging from aesthetic, multi-sensorial, associative, affective, spatial and visual modes of ‘knowledge’ to more discursive, analytical, contextualised ones. Here, we set out to defend the visual essay as a useful tool to explore the non-conceptual, yet meaningful bodily aspects of human culture, both in the still developing field of artistic research and in more established fields of research. It is a genre that enables us to articulate this knowledge, as a transformative process of meaning-making, supplementing other modes of inquiry in the humanities.-
dc.language.isoen-
dc.rights© The Author(s) 2017. Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made. The images or other third party material in this article are included in the article’s Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the article’s Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this license, visit http://creativecommons.org/ licenses/by/4.0/.-
dc.subject.othervisual essay; artistic research; visual modes of knowledge; embodied thinking; denkraum; visual sequences-
dc.titleThe visual essay and the place of artistic research in the humanities-
dc.typeJournal Contribution-
dc.identifier.issue3-
local.format.pages7-
local.bibliographicCitation.jcatA1-
dc.relation.referencesAgamben, G. (2007). Infancy and history: on the destruction of experience [trans. L. Heron]. London/New York: Verso. Garlick, A. and Roes, R. Exercises of the man (v): found dialogues whispered to drying paint. Gombrich, E.H. (1986 [1970]). Aby Warburg: an intellectual biography. Oxford: Phaidon. Ingold, T. (2011). Being alive: essays on movement, knowledge and description. London/New York: Routledge. Ingold, T. (2013). Making: anthropology, archaeology, art and architecture. London/New York: Routledge. Johnson, M. (2007). The meaning of the body: Aesthetics of human understanding. Chicago: Chicago University Press. Liddell, H.G. and Scott, R. A Greek-English Lexicon. Available at: http://www.perseus.tufts.edu/hopper/morph?l=pro%2Fblhma&la=greek&can=pro%2Fblhma0&prior=p#Perseus:text:1999.04.0057:entry=pro/blhma-contents. [Accessed June 29, 2017].-
local.type.refereedRefereed-
local.type.specifiedArticle-
local.identifier.vabbc:vabb:437712-
local.bibliographicCitation.artnr8-
local.classdsPublValOverrule/author_version_not_expected-
dc.identifier.doi10.1057/s41599-017-0004-5-
item.fulltextWith Fulltext-
item.fullcitationROES, Remco & PINT, Kris (2017) The visual essay and the place of artistic research in the humanities. In: Palgrave Communications,(3), (Art N° 8).-
item.accessRightsOpen Access-
item.contributorROES, Remco-
item.contributorPINT, Kris-
item.validationvabb 2019-
crisitem.journal.eissn2055-1045-
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