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http://hdl.handle.net/1942/25192Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | IONESCU, Vlad | - |
| dc.date.accessioned | 2017-11-17T13:12:59Z | - |
| dc.date.available | 2017-11-17T13:12:59Z | - |
| dc.date.issued | 2017 | - |
| dc.identifier.citation | van Tuinen, Sjoerd; Zepke, Stephen (Ed.). Art History after Deleuze and Guattari, Leuven University Press, p. 21-41 | - |
| dc.identifier.isbn | 9789462701151 | - |
| dc.identifier.uri | http://hdl.handle.net/1942/25192 | - |
| dc.description.abstract | This paper discusses the possibilities and limits of Gilles Deleuze's relation to art history. It addresses the specific way that he has appropriated art historical concepts, especially his relationship to modernism (from Riegl to Greenberg), questions his view of art as analogical to life and whether his concepts can merely be "applied" by art historians. Alternatively, the value of Deleuze's thought on art is detected in his methodology, the search from differences in the actual field of art history that resist the "administrative" perspective on art history as a history of artworks, styles and artists. | - |
| dc.language.iso | en | - |
| dc.publisher | Leuven University Press | - |
| dc.subject.other | art historiography; Gilles Deleuze; Wilhelm Worringer; Aloïs Riegl, Heinrich Wölfflin; aesthetics | - |
| dc.title | Re-make/ Re-model: Strategies of Reading Art Historians | - |
| dc.type | Book Section | - |
| local.bibliographicCitation.authors | van Tuinen, Sjoerd | - |
| local.bibliographicCitation.authors | Zepke, Stephen | - |
| dc.identifier.epage | 41 | - |
| dc.identifier.spage | 21 | - |
| local.bibliographicCitation.jcat | B2 | - |
| local.publisher.place | Leuven | - |
| dc.relation.references | Bogue, Roland. Deleuze on Music, Painting and the Arts. New York: Routledge, 2003. Buydens, Mireille. Sahara. L'esthétique de Gilles Deleuze. Paris: Vrin, 2005. Deleuze, Gilles. Francis Bacon. Logique de la sensation (1981). Paris: Seuil, 2002. Deleuze, Gilles. Capitalisme et Schizophrenie. 2: Milles Plateaux. Paris: Éditions de Minuit, 1980. Deleuze, Gilles. Différence et répétition (1968). Paris: Presses Universitaires de France, 1981. Deleuze, Gilles, Parnet, Claire. Dialogues. Paris: Flammarion. Fried, Michael. Three American Painters: Kenneth Noland, Jules Olitski, Frank Stella (1965), in Art and Objecthood. Essays and Reviews. Chicago: Chicago University Press, 1998. Giedion, Siegfried. On the Education of the Architect (1947), in Architecture You and Me. The Diary of a Development. Cambridge, Mass.: Harvard University Press, 1958. Greenberg, Clement. Art and Culture. Critical Essays. Boston: Beacon Press, 1961. Husserl, Edmund. Phantasie, Bildbewusstsein, Erinnerung: Zur Phänomenologie der anschaulichen Vergegenwärtigung (1898-1925). Den Haag: Nijhoff, 1980. Ionescu Vlad. Deleuze's Tensive Notion of Painting in the Light of Riegl, Wölfflin and Worringer in Deleuze Studies, 5 (1) 2011, pp. 52-62. Lyotard, Jean-François. Discours, Figure. Paris: Klincksieck, 1971. Lyotard, Jean-François. Peinture et désir/ Painting and Desire, in Textes dispersés I: esthétique et théorie de l'art. Miscellaneous Texts I: Aesthetics and Theory of Art, ed. Herman Parret, translation Vlad Ionescu, Erica Harris, Peter W. Milne, epilogue by Jean-Michel Durafour. Leuven: Leuven University Press, 2012, pp. 52-76. Maldiney, Henri. L'art et le pouvoir du fond, in Regard Parole Espace. Lausanne: L'Âge d'homme, 1975. Rancière, Jacques. Existe-t-il une esthétique deleuzienne?, in Eric Alliez (red.), Gilles Deleuze. Une vie philosophique. Le Plessis-Robinson, Institut Synthélabo, 1999, p. 523-536. Reynolds Cordileaone, Diana. Aloïs Riegl in Vienna. 1875-1905. An Institutional Biography. Surrey: Ashgate, 2014. Riegl, Aloïs. Die Spätrömische Kunstindustrie. Wien: Österreichische Staatsdruckerei, 1927. Riegl, Aloïs. Historische Grammatik der bildenden Künste. Vorlesungen von 1897-1899. Herausgegeben von Karl M. Swoboda und Otto Pächt. Köln: Böhlau, 1966. Riegl, Aloïs. Der moderne Denkmalkutus, seine Wesen, seine Entstehung (1903), in Gesammelte Aufsätze, hrsg. von Artus Rosenauer. Wien: WUV-Universitätsverlag, 1996, pp. 139-185. Rosenberg, Harold. The American Action Painters, in Artnews, no. 1, 1952, pp. 22-23, 48-50. Sartre, Jean-Paul. L'imagination. Paris: Presses Universitaires de France, 1969. Sartre, Jean-Paul. L'Imaginaire. Psychologie Phénoménologique de l'imagination. Paris: Gallimard, 1940. Sauvagnargues, Anne. Deleuze et l'art. Paris: Presses Universitaires de France, 2005. Simmel, Georg. Rembrandt. An Essay in the Philosophy of Art, translated by Allan Scott and Helmut Staubmann. New York: Routledge, 2005. Spuybroek, Lars. The Sympathy of Things. Ruskin and the Ecology of Design. Rotterdam: V2_Publishing/ NAi Publishers, 2011. Steinberg, Leo. Other Criteria. Confrontations with Twentieth-Century Art. Oxford: Oxford University Press, 1975. Van de Velde, Henry. Les formules de la beauté architectonique moderne. Bruxelles: Archives d'architecture moderne, 1978. Van Tuinen, Sjoerd. Mannerism, Baroque, and Modernism. Deleuze and the Essence of Art, in SubStance, volume 43, number 1 (133 issue), 2014, p. 166-190. Van Tuinen, Sjoerd. Mannerism and Hysteria. On the Mode of Existence of Painting, in Bäcklund Jan, Oxvig, Henrik, Soberg, Martin (eds.), What Images Do. Aarhus. Aarhus University Press, forthcoming. Wickhoff, Franz. Roman Art. Some of Its Principles and Their Application to Early Christian Painting, translation S. Arthur Strong. New York: MacMillan, 1900. Worringer, Wilhelm. Abstraktion und Einfïhlung. Ein Beitrag zur Stilpsychologie. München: Fink, 2007. Worringer, Wilhelm. Formprobleme der Gotik. Münich: Piper, 1920. Zilberberg, Claude. Présence de Wölfflin. Limonge: Pulim, 1992. | - |
| local.type.refereed | Refereed | - |
| local.type.specified | Book Section | - |
| local.identifier.vabb | c:vabb:437610 | - |
| local.bibliographicCitation.btitle | Art History after Deleuze and Guattari | - |
| item.validation | vabb 2019 | - |
| item.fulltext | With Fulltext | - |
| item.fullcitation | IONESCU, Vlad (2017) Re-make/ Re-model: Strategies of Reading Art Historians. In: van Tuinen, Sjoerd; Zepke, Stephen (Ed.). Art History after Deleuze and Guattari, Leuven University Press, p. 21-41. | - |
| item.accessRights | Closed Access | - |
| item.contributor | IONESCU, Vlad | - |
| Appears in Collections: | Research publications | |
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