Please use this identifier to cite or link to this item: http://hdl.handle.net/1942/26205
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dc.contributor.authorROES, Remco-
dc.date.accessioned2018-06-28T07:43:35Z-
dc.date.available2018-06-28T07:43:35Z-
dc.date.issued2018-
dc.identifier.citationYsebaert, Walter; van Kerckhoven, Binke (Ed.). Evaluating Art and Design Research: reflections, evaluation practices and research presentations, VUB Press, p. 153-164-
dc.identifier.isbn9789057186998-
dc.identifier.urihttp://hdl.handle.net/1942/26205-
dc.description.abstractIn this essay I will discuss a series of works entitled Archive of the uncategorized in relation to my PhD research with the working title “The scenography of sublime space”. The archives series, which I started in 2011, coincides with the transition of my work from an 'autonomous' artistic practice to a research context. In this text I will identify three ‘resonances’ between my artistic practice and the method, content and form of the research.-
dc.language.isoen-
dc.publisherVUB Press-
dc.subject.otherartistic research; methodology; practice based research; installation art-
dc.titleThree found resonance: wandering from sublime space to zen garden-
dc.typeBook Section-
local.bibliographicCitation.authorsYsebaert, Walter-
local.bibliographicCitation.authorsvan Kerckhoven, Binke-
dc.identifier.epage164-
dc.identifier.spage153-
local.bibliographicCitation.jcatB2-
local.publisher.placeBrussels, Belgium-
dc.relation.referencesBenjamin, W. (1986). Illuminations. New York: Schocken Books. Burke, E. (2009). A philosophical inquiry into the origin of our ideas of the sublime and beautiful. Lawrence, KS: Digireads. Debord, G. (1996). Theory of the dérive. In L. Andreotti & X. Costa (Eds.), Theory of the dérive and other situationist writings on the city (pp. 22–27). Barcelona: Actar. Dehaene, M., & De Cauter, L. (2008). The space of play: Towards a general theory of heterotopia. In Heterotopia and the city: public space in a postcivil society (pp. 87–102). New York: Routledge. Derrida, J. (1987). The truth in painting. Chicago: University of Chicago Press. Elkins, J. (2011). Against the sublime. In R. Hoffmann & I. Boyd Whyte (Eds.), Beyond the finite: the sublime in art and science (pp. 20–42). New York: Oxford University Press. Foucault, M. (2008). Of other spaces. In M. Dehaene & L. De Cauter (Trans.), Heterotopia and the city: public space in a postcivil society (pp. 14–22). New York: Routledge. Kant, I. (2000). Critique of the power of judgment. (P. Guyer, Trans., A. Wood, Ed.). Cambridge, UK; New York: Cambridge University Press. Koren, L. (1994). Wabi-sabi for artists, designers, poets & philosophers. Berkeley, Calif.: Stone Bridge Press. Lao Tse. (n.d.). Tao Te Ching. (S. Michell, Trans.)Tao Te Ching. Retrieved September 24, 2012, from http://www.duhtao.com/ Lyotard, J.-F. (1991). The inhuman: reflections on time. Stanford, Calif: Stanford University Press. Morley, S. (2010). The sublime. London; Cambridge, Mass.: Whitechapel Gallery ; MIT Press. Newman, B. (2003). The sublime is now. In Art in theory, 1900-2000: an anthology of changing ideas. Malden, MA: Wiley. Shaw, P. (2006). The sublime. London; New York: Routledge. Watts, A. (1999). The way of Zen. London: Arkana.-
local.type.refereedRefereed-
local.type.specifiedBook Section-
local.bibliographicCitation.btitleEvaluating Art and Design Research: reflections, evaluation practices and research presentations-
item.validationvabb 2020-
item.contributorROES, Remco-
item.fullcitationROES, Remco (2018) Three found resonance: wandering from sublime space to zen garden. In: Ysebaert, Walter; van Kerckhoven, Binke (Ed.). Evaluating Art and Design Research: reflections, evaluation practices and research presentations, VUB Press, p. 153-164.-
item.fulltextWith Fulltext-
item.accessRightsRestricted Access-
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