Please use this identifier to cite or link to this item: http://hdl.handle.net/1942/26209
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dc.contributor.authorROES, Remco-
dc.contributor.authorSNOWDON, Peter-
dc.date.accessioned2018-06-28T08:47:59Z-
dc.date.available2018-06-28T08:47:59Z-
dc.date.issued2018-
dc.identifier.citationJournal of interior design, 43 (1), p. 65-77-
dc.identifier.issn1071-7641-
dc.identifier.urihttp://hdl.handle.net/1942/26209-
dc.description.abstractThe point of departure of this article is a collaborative installation work in whose creation one of the authors (Remco Roes) participated. The article combines a visual essay, composed from images documenting both the final exhibition and the process leading up to it, and a written commentary that attempts to point at—or point out—how knowledge or thinking may occur within or through a sequence of images such as this. These two essays, and the oblique relationship between them, are designed to shed light not only on one specific work of art but, more generally, on how we may inhabit different kinds of interiors, whether or not they are purely “physical.” It also reflects on the visual essay genre as itself a way of thinking through artistic, design and philosophical problems.-
dc.language.isoen-
dc.rights(c) 2018 Interior Design-
dc.subject.othervisual essay; artistic research; interiority; interior-
dc.titleConversations between Interiors-
dc.typeJournal Contribution-
dc.identifier.epage77-
dc.identifier.issue1-
dc.identifier.spage65-
dc.identifier.volume43-
local.bibliographicCitation.jcatA1-
dc.description.notesRoes, R (reprint author), Hasselt Univ, Fac Architecture & Arts, FRAME Res Grp, Hasselt, Belgium.-
dc.relation.referencesHenk Borgdorff, “The Production of Knowledge in Artistic Research,” in The Routledge Companion to Research in the Arts, eds. Michael Biggs & Henrik Karlsson (London: Routledge, 2011). Simryn Gill, “Simryn Gill—The Australian Pavilion, 55th Venice Biennale,” filmed 2013 in Venice, video, 14:31, http://www.youtube.com/watch?v=jyTJfGV21CU. Martin Heidegger, Country Path Conversations (Bloomington, IN: Indiana University Press, 2010). Michael Holland, “Maurice Blanchot,” French Studies 58, no. 4 (2004). “Bridge and door” (1909) in Pierre-Damien Huyghe, Contre-temps. De la recherche et de ses enjeux. Arts, Architecture, Design (Paris: B42, 2017). Harri Laakso, “Figments: A Material Imaginary of Artistic Research.” presented at The Art of Research Conference, Helsinki, November 29, 2012. (Quoted on basis of audio recording taken by one of the authors.) Tom Lambeens, “Sensatie En Beeldende Zwaartekracht,” PhD Thesis, (Universiteit Hasselt, 2013).-
local.type.refereedRefereed-
local.type.specifiedArticle-
local.classdsPublValOverrule/author_version_not_expected-
dc.identifier.doi10.1111/joid.12113-
dc.identifier.isi000427016900008-
item.validationecoom 2019-
item.contributorROES, Remco-
item.contributorSNOWDON, Peter-
item.fullcitationROES, Remco & SNOWDON, Peter (2018) Conversations between Interiors. In: Journal of interior design, 43 (1), p. 65-77.-
item.fulltextWith Fulltext-
item.accessRightsRestricted Access-
crisitem.journal.issn1071-7641-
crisitem.journal.eissn1939-1668-
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