Please use this identifier to cite or link to this item: http://hdl.handle.net/1942/28161
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dc.contributor.authorIONESCU, Vlad-
dc.date.accessioned2019-05-07T07:17:09Z-
dc.date.available2019-05-07T07:17:09Z-
dc.date.issued2019-
dc.identifier.citationRoffe, Jon; Jones, Graham (Ed.). Deleuze’s Philosophical Lineage. Volume 2, Edinburgh University Press, p. 146-162-
dc.identifier.isbn9781474449182-
dc.identifier.urihttp://hdl.handle.net/1942/28161-
dc.description.abstractThe chapter is an introduction to the thought of the German art historian Wilhelm Worringer (1881-1965) and his impact on the art theory and aesthetics of the French contemporary philosophy Gilles Deleuze (1925-1995).-
dc.language.isoen-
dc.publisherEdinburgh University Press-
dc.subject.otherGilles Deleuze; Wilhelm Worringer; aesthetics; art theory; empathy; abstraction; haptic; optic-
dc.titleWilhelm Worringer-
dc.typeBook Section-
local.bibliographicCitation.authorsRoffe, Jon-
local.bibliographicCitation.authorsJones, Graham-
dc.identifier.epage162-
dc.identifier.spage146-
local.bibliographicCitation.jcatB2-
local.publisher.placeEdinburgh-
local.type.refereedRefereed-
local.type.specifiedBook Section-
local.bibliographicCitation.btitleDeleuze’s Philosophical Lineage. Volume 2-
item.contributorIONESCU, Vlad-
item.fullcitationIONESCU, Vlad (2019) Wilhelm Worringer. In: Roffe, Jon; Jones, Graham (Ed.). Deleuze’s Philosophical Lineage. Volume 2, Edinburgh University Press, p. 146-162.-
item.accessRightsRestricted Access-
item.fulltextWith Fulltext-
item.validationvabb 2021-
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