Please use this identifier to cite or link to this item: http://hdl.handle.net/1942/29764
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dc.contributor.authorIONESCU, Vlad-
dc.date.accessioned2019-10-16T09:46:46Z-
dc.date.available2019-10-16T09:46:46Z-
dc.date.issued2019-
dc.identifier.citationArchitecture in Belgium, , p. 1 -17-
dc.identifier.issn1375-5072-
dc.identifier.urihttp://hdl.handle.net/1942/29764-
dc.description.abstractThe article is a contribution to the Vlaams Architectuur Instituut / Flanders Architecture Institute. It includes a discussion on architectural representations, imagery and model making in relation to the work of Bovenbouw, Dogma and Malgorzata Maria Olchowska.-
dc.language.isoen-
dc.titleTheatricality, Absorption and Abstraction. An Introduction to Bovenbouw, Dogma and Malgorzata Maria Olchowska-
dc.typeJournal Contribution-
dc.identifier.epage17-
dc.identifier.spage1-
local.format.pages17-
local.bibliographicCitation.jcatA2-
local.type.refereedRefereed-
local.type.specifiedArticle-
dc.identifier.urlhttps://www.a-plus.be/fr/review/theatricality-absorption-and-abstraction/-
local.uhasselt.internationalno-
item.contributorIONESCU, Vlad-
item.accessRightsOpen Access-
item.fullcitationIONESCU, Vlad (2019) Theatricality, Absorption and Abstraction. An Introduction to Bovenbouw, Dogma and Malgorzata Maria Olchowska. In: Architecture in Belgium, , p. 1 -17.-
item.fulltextWith Fulltext-
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