Please use this identifier to cite or link to this item: http://hdl.handle.net/1942/32962
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dc.contributor.authorGIL ULLDEMOLINS, Maria-
dc.date.accessioned2020-12-17T09:43:15Z-
dc.date.available2020-12-17T09:43:15Z-
dc.date.issued2019-
dc.date.submitted2020-12-16T16:57:10Z-
dc.identifier.citationPrivate Life, Edinburgh, UK, 10/06/2019-
dc.identifier.urihttp://hdl.handle.net/1942/32962-
dc.language.isoen-
dc.title“The mouse behind the radiator" - the private autotheory of artists.-
dc.typeConference Material-
local.bibliographicCitation.conferencedate10/06/2019-
local.bibliographicCitation.conferencenamePrivate Life-
local.bibliographicCitation.conferenceplaceEdinburgh, UK-
local.format.pages1-
local.bibliographicCitation.jcatC2-
local.type.refereedRefereed-
local.type.specifiedConference Presentation-
dc.identifier.urlhttps://www.ed.ac.uk/edinburgh-college-art/history-art/global-contemporary/events/private-life-
local.provider.typePdf-
local.uhasselt.uhpubyes-
item.fulltextWith Fulltext-
item.accessRightsRestricted Access-
item.fullcitationGIL ULLDEMOLINS, Maria (2019) “The mouse behind the radiator" - the private autotheory of artists.. In: Private Life, Edinburgh, UK, 10/06/2019.-
item.contributorGIL ULLDEMOLINS, Maria-
Appears in Collections:Research publications
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