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http://hdl.handle.net/1942/38714
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DC Field | Value | Language |
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dc.contributor.author | GIL ULLDEMOLINS, Maria | - |
dc.contributor.author | PINT, Kris | - |
dc.date.accessioned | 2022-10-06T14:37:50Z | - |
dc.date.available | 2022-10-06T14:37:50Z | - |
dc.date.issued | 2022 | - |
dc.date.submitted | 2022-10-03T07:21:10Z | - |
dc.identifier.citation | Practices of Phenomenological and Artistic Research, 17 (1) , p. 61 -98 | - |
dc.identifier.issn | 1913-4711 | - |
dc.identifier.uri | http://hdl.handle.net/1942/38714 | - |
dc.description.abstract | This experimental paper proposes a shared exploration of the crease as a tactile, existential, and artistic phenomenon. It takes Roland Barthes’ definition of his left-handedness as “a tenuous and persistent crease” as a basis. Hence, this phenomenon is a minor but stubborn mark on the self, a superficial matter. In order to portray an intimate and personal approach to the subject, this paper is written in first person. This “I”, though, is plural, a result of a collaboration. As part of the methodology developed to create this polyphonic voice, the paper is structured in a non-linear fashion. After each section, the reader can choose how to proceed. The imposed choices reveal the materiality of the text - they establish points of friction and awareness for a reader; and weave different discursive lines and surfaces. The aim is to allow the format to contribute to the definition of the crease, beyond images and excerpts in the content. | - |
dc.language.iso | en | - |
dc.publisher | UNIV ALBERTA LIBRARIES | - |
dc.subject.other | Roland Barthes | - |
dc.subject.other | phenomenology | - |
dc.subject.other | embodiment | - |
dc.subject.other | touch | - |
dc.subject.other | queer | - |
dc.title | Crease | - |
dc.type | Journal Contribution | - |
dc.identifier.epage | 98 | - |
dc.identifier.issue | 1 | - |
dc.identifier.spage | 61 | - |
dc.identifier.volume | 17 | - |
local.bibliographicCitation.jcat | A1 | - |
local.publisher.place | 4-99 HUMANITIES CENTRE, B7 RUTHERFORD S, EDMONTON, ALBERTA T6G 2J4, CANADA | - |
local.type.refereed | Refereed | - |
local.type.specified | Article | - |
dc.identifier.doi | https://doi.org/10.29173/pandpr29452 | - |
dc.identifier.isi | 000899732000004 | - |
dc.identifier.eissn | - | |
local.provider.type | - | |
local.dataset.doi | https://doi.org/10.29173/pandpr29452 | - |
local.uhasselt.international | no | - |
item.contributor | GIL ULLDEMOLINS, Maria | - |
item.contributor | PINT, Kris | - |
item.validation | vabb 2024 | - |
item.fulltext | With Fulltext | - |
item.accessRights | Open Access | - |
item.fullcitation | GIL ULLDEMOLINS, Maria & PINT, Kris (2022) Crease. In: Practices of Phenomenological and Artistic Research, 17 (1) , p. 61 -98. | - |
crisitem.journal.issn | 1913-4711 | - |
Appears in Collections: | Research publications |
Files in This Item:
File | Description | Size | Format | |
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4-Crease(Final).pdf | Published version | 1.16 MB | Adobe PDF | View/Open |
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