Please use this identifier to cite or link to this item: http://hdl.handle.net/1942/39069
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dc.contributor.authorIONESCU, Vlad-
dc.date.accessioned2022-12-16T14:55:06Z-
dc.date.available2022-12-16T14:55:06Z-
dc.date.issued2022-
dc.date.submitted2022-12-12T17:28:44Z-
dc.identifier.citationZolkos , Magdalena (Ed.). The Didi-Huberman Dictionary, Edinburgh University Press, p. 20 -23-
dc.identifier.isbn9781399500982-
dc.identifier.urihttp://hdl.handle.net/1942/39069-
dc.language.isoen-
dc.publisherEdinburgh University Press-
dc.subject.otherGeorges Didi-Huberman-
dc.subject.otherart criticism-
dc.subject.otherart historiography-
dc.titleArt Criticism-
dc.typeBook Section-
local.bibliographicCitation.authorsZolkos , Magdalena-
dc.identifier.epage23-
dc.identifier.spage20-
local.format.pages3-
local.bibliographicCitation.jcatB2-
local.publisher.placeEdinburgh-
dc.relation.referencesAlloa, E. (2018) Phasmid Thinking (Ch. Woodall, trans.). Angelaki, 23(4): 103-112. Hagelstein, M. (2005) Art Contemporain et phénoménologie. Réflexion sur le concept de lieu chez Georges Didi-Huberman. Études phénoménologiques, 41-42: 133-164. Ionescu, V. (2017). On Moths and Butterflies, or How to Orient Oneself Through Images. Georges Didi-Huberman’s Art Criticism in Context. Journal of Art Historiography, 16: 1-16. Riegl, A. (1902). Objective Aesthetik. Neue Freie Presse, Sunday, July 13: 34-35. Wickhoff, F. (1895). Die Wiener Genesis. W. Ritter von Hartel & F. Wickhoff (Eds.). F. Tempsky. Worringer, W. (1931). Käthe Kollwitz. Grafen und Unger.-
local.type.refereedRefereed-
local.type.specifiedBook Section-
local.bibliographicCitation.btitleThe Didi-Huberman Dictionary-
local.uhasselt.internationalno-
item.validationvabb 2024-
item.contributorIONESCU, Vlad-
item.fullcitationIONESCU, Vlad (2022) Art Criticism. In: Zolkos , Magdalena (Ed.). The Didi-Huberman Dictionary, Edinburgh University Press, p. 20 -23.-
item.fulltextWith Fulltext-
item.accessRightsRestricted Access-
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