Please use this identifier to cite or link to this item: http://hdl.handle.net/1942/39201
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dc.contributor.authorGIELIS, Sofie-
dc.contributor.authorDUFFIN, Eleanor-
dc.contributor.authorVAIKLA, Ingel-
dc.date.accessioned2023-01-10T08:50:37Z-
dc.date.available2023-01-10T08:50:37Z-
dc.date.issued2022-
dc.date.submitted2023-01-05T12:06:12Z-
dc.identifier.citationArts (Basel), 11 (6) (Art N° 111)-
dc.identifier.urihttp://hdl.handle.net/1942/39201-
dc.description.abstractThree female voices with different cultural backgrounds and practices explore the concept and possibilities of the we-narrative. Starting from a position of critical reflection, we dive into the question of how to speak as a female WE. WE is used to differentiate the particular collective dynamic that operates throughout this text from a more general use of the word 'we'. Our framework is to work with the personal and vulnerable, but at the same time remain open to a dialogue that invites the other, through the concept of empathy. Our overarching aim is to look at what it means when we speak together collectively: whether it brings strength or dilution, and how speaking poly-vocally from a position of lived first person collective experience impacts current ideas around authorship. Is it possible to speak as a WE and write subjectively in a way that does not become a generalisation or a compromise? Guided by Virginia Woolf's A Room of One's Own, our text uses the format of autotheoretical writing, drawing on our creative-critical writing practices in the context of visual art. We seek to encompass our female ancestors in visual art. The text generates a dialogue that creates room for the articulation of one's own voice and hand, whilst intending to leave space or gaps for the other to insert themselves. Appearing in seemingly disparate fragments, the text weaves together to form a tapestry, sometimes performative, sometimes narrative, incorporating both visual and language-based elements.-
dc.description.sponsorshipThis research received no external funding. The authors would like to thank Jeanie Sinclair, Katy Connor and Lynda Devenney; and the editors for their valuable critical input.-
dc.language.isoen-
dc.publisherMDPI-
dc.rights2022 by the authors. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (https:// creativecommons.org/licenses/by/ 4.0/)-
dc.subject.otherautotheory-
dc.subject.othermemory-
dc.subject.othervisual art-
dc.subject.otherart practice-
dc.subject.othercontemporary art-
dc.subject.othersocial history-
dc.subject.otherwe narrative-
dc.titleWe Continue Each Other-
dc.typeJournal Contribution-
dc.identifier.issue6-
dc.identifier.volume11-
local.bibliographicCitation.jcatA1-
dc.description.notesDuffin, E (corresponding author), PXL MAD Sch Arts, MAD Res, B-3500 Hasselt, Belgium.-
dc.description.noteseleanor.duffin@uhasselt.be-
local.publisher.placeST ALBAN-ANLAGE 66, CH-4052 BASEL, SWITZERLAND-
local.type.refereedRefereed-
local.type.specifiedArticle-
local.bibliographicCitation.artnr111-
dc.identifier.doi10.3390/arts11060111-
dc.identifier.isi000900339100001-
local.provider.typewosris-
local.description.affiliation[Duffin, Eleanor] PXL MAD Sch Arts, MAD Res, B-3500 Hasselt, Belgium.-
local.description.affiliationUHasselt, B-3500 Hasselt, Belgium.-
local.uhasselt.internationalno-
item.fulltextWith Fulltext-
item.fullcitationGIELIS, Sofie; DUFFIN, Eleanor & VAIKLA, Ingel (2022) We Continue Each Other. In: Arts (Basel), 11 (6) (Art N° 111).-
item.accessRightsOpen Access-
item.contributorGIELIS, Sofie-
item.contributorDUFFIN, Eleanor-
item.contributorVAIKLA, Ingel-
crisitem.journal.eissn2076-0752-
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