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http://hdl.handle.net/1942/39423
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DC Field | Value | Language |
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dc.contributor.advisor | Gil Ulldemolins, Maria | - |
dc.contributor.author | DA CONCEICAO CORREIA DOMINGUES, Patricia | - |
dc.date.accessioned | 2023-02-15T08:29:45Z | - |
dc.date.available | 2023-02-15T08:29:45Z | - |
dc.date.issued | 2021 | - |
dc.date.submitted | 2023-02-10T11:34:20Z | - |
dc.identifier.citation | Passage, 9 (1) , p. 9-36 | - |
dc.identifier.uri | http://hdl.handle.net/1942/39423 | - |
dc.description.abstract | My practice traces lines between geological phenomena and transatlantic history. As a jewellery artist and a stone cutter, I focus on the properties and qualities of materials but also on their respective histories and the environments we cohabit with them. The fractures and the cuts I consciously create in materials are performative gestures and intersections of the materials’ stories and my own in the past and the present. In this paper, while exploring a personal, fragmentary approach towards creative writing and revisiting family lineages, I will use an autoethnographic methodology to divagate between landscapes of union and disunion. I will embark on an interweaving of lines—my own, those of the material and of history—as a way of expanding my practice into a broader scene of ideas and events. From the boats docking in Lisbon during the fifteenth-century Portuguese colonial period, to the exploration of gemstones at German markets and my grandfather’s abandoned notebooks, how do the lines of history translate into a sequence of performative gestures? Where does the past end and the present begin? | - |
dc.language.iso | en | - |
dc.publisher | Passage Journal | - |
dc.subject.other | Lines | - |
dc.subject.other | Gemstones | - |
dc.subject.other | Fracturing Practice | - |
dc.subject.other | Intimate Writing | - |
dc.subject.other | Landscapes | - |
dc.title | Graticule | - |
dc.type | Journal Contribution | - |
dc.identifier.epage | 36 | - |
dc.identifier.issue | 1 | - |
dc.identifier.spage | 9 | - |
dc.identifier.volume | 9 | - |
local.format.pages | 27 | - |
local.bibliographicCitation.jcat | A1 | - |
dc.relation.references | Bibliography Ball, Philip. Branches. Oxford: Oxford University Press, 2009. Boeke, Kees. Cosmic View: The Universe in 40 Jumps. New York: John Day, 1957. Bohme, Hartmut. Fetishism and Culture, A Different Theory of Modernity. Berlin: De Gruyter. 2014. Boxer, Charles Ralph. The Portuguese Seaborne Empire, 1415—1825. 2nd° ed., Lisbon: Edições 70, 1969. Brotton, Jerry. A History of the World in Twelve Maps. London: Penguin, 2012. Caillois, Roger. The Writing of Stones. Translated by Barbara Bray. Charlottesville: University Press of Virginia, 1985. Chatwin, Bruce. The Songlines. New York: Penguin, 1988. Eames, Charles and Ray Eames. “Powers of Ten.” 1968, 1977. YouTube video. https://www.youtube.com/watch?v=0fKBhvDjuy0. Ingold, Tim. The Life of Lines. London: Routledge, 2015. Ingold, Tim. Lines – A Brief History. London: Routledge, 2016. Lindemann, Wilhelm, Will Larson, and Ekkehard Schneider. Dreher Carvings, Five Generations of Gemstone Animals from Idar- Oberstein. Stuttgart: Arnoldsch, 2017. Michalik, Magdalena. The Institution of the Museum, Museum Practice and Exhibits within the Theory of Postcolonialism Preliminary research. Muzealnictwo 59 (2018): 28–33. doi:10.5604/01.3001.0011.7254. Tilley, Christopher. The Materiality of Stone - Explorations in Landscape Phenomenology. Oxford: Berg, 2014. Yourcenar, Margerite. introduction to The Writing of Stones, by Roger Caillois, xi–xviii. Translated by Barbara Bray. Charlottesville, VA: University Press of Virginia, 1985. Acknowledgements To my dear friend Maria Gil Ulldemolins, to my PhD co-promoter Nadia Sels and to Kris Pint, founders of the journal Passage, an eternal thank you. Working with you has allowed to perceive research in the arts as a intime unfolded map full of complex freedoms. Thank you for having trusted my work for the first edition of Passage. This experience, truly enriched and opened-up my world. | - |
local.type.refereed | Refereed | - |
local.type.specified | Article | - |
local.provider.type | - | |
local.uhasselt.international | no | - |
item.contributor | DA CONCEICAO CORREIA DOMINGUES, Patricia | - |
item.fulltext | With Fulltext | - |
item.accessRights | Open Access | - |
item.fullcitation | DA CONCEICAO CORREIA DOMINGUES, Patricia (2021) Graticule. In: Passage, 9 (1) , p. 9-36. | - |
item.validation | vabb 2024 | - |
crisitem.journal.eissn | 2795-6644 | - |
Appears in Collections: | Research publications |
Files in This Item:
File | Description | Size | Format | |
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08:09 Passage 1 .pdf | Published version | 5.63 MB | Adobe PDF | View/Open |
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