Please use this identifier to cite or link to this item: http://hdl.handle.net/1942/39514
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dc.contributor.advisorHuycke, David-
dc.contributor.advisorWuytens, Karen-
dc.contributor.authorBUSSCHE, Liesbet-
dc.date.accessioned2023-02-17T13:16:41Z-
dc.date.available2023-02-17T13:16:41Z-
dc.date.issued2022-
dc.date.submitted2023-02-01T07:47:40Z-
dc.identifier.citationSiposová , Katarína; Prekop, Pavol (Ed.). ŠperkStret 2022 Conference of Contemporary Jewellery Proceedings, p. 1 -10 (Art N° 3)-
dc.identifier.urihttp://hdl.handle.net/1942/39514-
dc.description.abstractA/PPOPOS, Atlas of Precious Publicly Owned Private Objects and Spaces, is a list of urban features, spaces, entities, objects and activities, such as ‘the windowsill’, ‘two missing cats’ and ‘a golden car’, which all share an alternating hierarchy between public and private. Similar to jewellery and other precious ornaments, these features, spaces, entities, objects and activities ‘wander’ between inside and outside, simultaneously or interchangeably between privateness and publicness. The text’s approach takes its inspiration from Privately Owned Public Spaces, POPS for short, where privately owned spaces are legally required to be open to the public, albeit contested because they often result from deals between city governments and private real estate developers in exchange for an exemption from regular building regulations (such as, for example, building higher than officially permitted). Consequently, these hybrid spaces, often referred to as pseudo-public, question values such as democratisation, ownership and freedom of expression.-
dc.language.isoen-
dc.rightsAll images by the author.-
dc.subject.otherJewellery-
dc.subject.otherprivate-
dc.subject.otherpublic-
dc.titleA/PPOPOS, Atlas of Precious Publicly Owned Private Objects and Spaces-
dc.typeProceedings Paper-
local.bibliographicCitation.authorsSiposová , Katarína-
local.bibliographicCitation.authorsPrekop, Pavol-
local.bibliographicCitation.conferencedate22-24 September 2022-
local.bibliographicCitation.conferencenameŠperkStret 2022 Conference of Contemporary Jewellery-
local.bibliographicCitation.conferenceplaceBratislava-
dc.identifier.epage10-
dc.identifier.spage1-
local.format.pages10-
local.bibliographicCitation.jcatC2-
dc.relation.referencesBACHELARD, G. The Poetics of Space. Boston: Beacon Press, 1984. BIJOU BRIGITTE. Oorknopjes – Wood Set. (n.d.). Rerieved March 10, 2021, from https://www.bijou-brigitte.com/nl/sieraden/nieuw/oorknopjes-wood-set GARETT, B. L. (2015). The privatisation of cities’ public spaces is escalating. It is time to take a stand. Retrieved April 14, 2021, from https://www.theguardian.com/cities/2015/aug/04/pops-privately-owned-public-space-cities-direct-action BBC. (2018). New evidence reveals Goodwin Sands shipwreck's secrets. Retrieved April 24, 2021, from https://www.bbc.com/news/uk-england-kent-44925445 Joplin, J. – McClure, M. – Neuwirth, B. Mercedes Benz [recorded by Janis Joplin]. On Pearl [Album]. New York City: Columbia Records, 1971. MERCEDES-BENZ. G-Rex. (n.d.). Retrieved March 19, 2021, from https://www.mercedes-benz.com/en/vehicles/passenger-cars/g-class/mercedes-amg-g-63/ NYC PLANNING. (n.d.). New York City’s Privately Owned Public Spaces. Retrieved April 14, 2021, from https://www1.nyc.gov/site/planning/plans/pops/pops.page YAAKOV, L. – JONAH (n.d.) Definitive Eruv Information and Global Directory. Retrieved April 16, 2021, from https://www.eruv.org/-
local.type.refereedNon-Refereed-
local.type.specifiedProceedings Paper-
local.bibliographicCitation.artnr3-
local.provider.typePdf-
local.bibliographicCitation.btitleŠperkStret 2022 Conference of Contemporary Jewellery Proceedings-
local.uhasselt.internationalno-
item.fulltextWith Fulltext-
item.contributorBUSSCHE, Liesbet-
item.fullcitationBUSSCHE, Liesbet (2022) A/PPOPOS, Atlas of Precious Publicly Owned Private Objects and Spaces. In: Siposová , Katarína; Prekop, Pavol (Ed.). ŠperkStret 2022 Conference of Contemporary Jewellery Proceedings, p. 1 -10 (Art N° 3).-
item.accessRightsOpen Access-
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