Please use this identifier to cite or link to this item: http://hdl.handle.net/1942/40219
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dc.contributor.advisorIonescu-
dc.contributor.authorPEETERS, Jeroen-
dc.date.accessioned2023-05-31T07:06:17Z-
dc.date.available2023-05-31T07:06:17Z-
dc.date.issued2023-
dc.date.submitted2023-05-22T12:25:58Z-
dc.identifier.citationHolzer, Sabina; Schäfer, Elisabeth (Ed.). which dances - which writes: Aluminium Assemblagen, Sonderzahl Verlag, p. 35 -48-
dc.identifier.isbn9783854496427-
dc.identifier.urihttp://hdl.handle.net/1942/40219-
dc.description.abstractThis essay discusses various artistic practices of expanded writing in relation to Sabina Holzer's choreographic assemblage 'Which dances' (2020) that addresses some environmental problems of aluminium mining. When seeking to grasp and articulate the impact of climate change on our ways of living, the human sensorium and imagination appear 'weak'. How, then, can we develop experimental writing practices to account for these phenomena, kindle material literacies and politicize the human sensorium?-
dc.language.isoen-
dc.publisherSonderzahl Verlag-
dc.rights(c) Jeroen Peeters and Sonderzahl Verlag-
dc.subject.otherchoreography-
dc.subject.otherexpanded writing-
dc.subject.othermaterial literacy-
dc.titleAll over the place,but not quite there: Notes on choreographic assemblages and expanded writing as material literacy-
dc.typeBook Section-
local.bibliographicCitation.authorsHolzer, Sabina-
local.bibliographicCitation.authorsSchäfer, Elisabeth-
dc.identifier.epage48-
dc.identifier.spage35-
local.bibliographicCitation.jcatB2-
local.publisher.placeVienna-
dc.relation.referencesLauren Berlant and Kathleen Stewart, The Hundreds, Durham/London: Duke University Press, 2019 Daisy Hildyard, The Second Body, London: Fitzcarraldo, 2017 Daisy Hildyard, ‘Negative Love’, Emergence Magazine, April 13, 2020, https://emergencemagazine.org/essay/negative-love/ Daisy Hildyard, Emergency, London: Fitzcarraldo, 2022 Daisy Hildyard, ‘War on the Air: Ecologies of Disaster’, Emergence Magazine, June 27, 2022, https://emergencemagazine.org/essay/war-on-the-air/ Tim Ingold, ‘On human correspondence’, Journal of the Royal Anthropological Institute, 22:1, March 2016 Joanna Latimer, ‘Being Alongside: Rethinking Relations amongst Different Kinds’, Theory, Culture & Society, 30: 7/8, Dec. 2013 Timothy Morton, Hyperobjects: Philosophy and Ecology after the End of the World, Minneapolis/London: University of Minnesota Press, 2013 Alina Popa, ‘The second body and the multiple outside’ (2013), in Alina Popa and Florin Flueraş, Unsorcery, Bucharest: Punch, 2021, pp. 148-162 Alina Popa, Square of Will in Square of Love: Texts, Notes, Drawings, Bucharest: Punch, 2019Olga Tokarczuk, Übungen im Fremdsein: Essays und Reden, Zürich: Kampa, 2021 Olga Tokarczuk, Übungen im Fremdsein: Essays und Reden, Zürich: Kampa, 2021-
local.type.refereedNon-Refereed-
local.type.specifiedBook Section-
local.provider.typePdf-
local.bibliographicCitation.btitlewhich dances - which writes: Aluminium Assemblagen-
local.uhasselt.internationalno-
item.fulltextWith Fulltext-
item.accessRightsRestricted Access-
item.fullcitationPEETERS, Jeroen (2023) All over the place,but not quite there: Notes on choreographic assemblages and expanded writing as material literacy. In: Holzer, Sabina; Schäfer, Elisabeth (Ed.). which dances - which writes: Aluminium Assemblagen, Sonderzahl Verlag, p. 35 -48.-
item.contributorPEETERS, Jeroen-
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