Please use this identifier to cite or link to this item: http://hdl.handle.net/1942/44989
Title: Paradise Lost in Derrida and Agamben: onto-theology of animal life
Authors: WILLEMSE, Arthur 
Issue Date: 2024
Publisher: ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
Source: International journal of philosophy & theology,
Status: Early view
Abstract: In this essay, I explore the philosophical resonance of the theological notion of Paradise in the works of Giorgio Agamben and Jacques Derrida through the question of the Paradisiacal belonging of animal life. What is the significance of Paradise for these authors? This essay undertakes the search for the meaning of Paradise by way of these thinkers' assessment of animal or creaturely life. I argue that their differing attitudes towards the life of the animal or creature expose a fundamental discord concerning exactly this issue: the significance of theology, and the myth of Paradise and the Fall. To be precise, it is argued that Derrida means to preclude the narrative of the Fall. Agamben, on the other hand, takes the animal as creature, and thus as a proper theological subject - which in this context means an Edenic exile - and accordingly as a proper subject of redemption. So, where Derrida intervenes in an encounter between human and animal prior to Paradise, Agamben joins the story after man was driven from it. In turn, this essay covers the issue of Derrida and Agamben's messianic terminologies, the ontology of the animal as being-after, and ultimately, the conceptual understanding of Paradise.
Notes: Willemse, A (corresponding author), Maastricht Univ, Fac Law, Maastricht, Netherlands.
Arthur.willemse@maastrichtuniversity.nl
Keywords: Agamben;Derrida;theology;animal life;ontology;Paradise
Document URI: http://hdl.handle.net/1942/44989
ISSN: 2169-2327
e-ISSN: 2169-2335
DOI: 10.1080/21692327.2024.2439852
ISI #: 001379724400001
Rights: 2024 International Journal of Philosophy and Theology
Category: A1
Type: Journal Contribution
Appears in Collections:Research publications

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