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http://hdl.handle.net/1942/38714
Title: | Crease | Authors: | GIL ULLDEMOLINS, Maria PINT, Kris |
Issue Date: | 2022 | Publisher: | UNIV ALBERTA LIBRARIES | Source: | Practices of Phenomenological and Artistic Research, 17 (1) , p. 61 -98 | Abstract: | This experimental paper proposes a shared exploration of the crease as a tactile, existential, and artistic phenomenon. It takes Roland Barthes’ definition of his left-handedness as “a tenuous and persistent crease” as a basis. Hence, this phenomenon is a minor but stubborn mark on the self, a superficial matter. In order to portray an intimate and personal approach to the subject, this paper is written in first person. This “I”, though, is plural, a result of a collaboration. As part of the methodology developed to create this polyphonic voice, the paper is structured in a non-linear fashion. After each section, the reader can choose how to proceed. The imposed choices reveal the materiality of the text - they establish points of friction and awareness for a reader; and weave different discursive lines and surfaces. The aim is to allow the format to contribute to the definition of the crease, beyond images and excerpts in the content. | Keywords: | Roland Barthes;phenomenology;embodiment;touch;queer | Document URI: | http://hdl.handle.net/1942/38714 | ISSN: | 1913-4711 | DOI: | https://doi.org/10.29173/pandpr29452 | ISI #: | 000899732000004 | Datasets of the publication: | https://doi.org/10.29173/pandpr29452 | Category: | A1 | Type: | Journal Contribution | Validations: | vabb 2024 |
Appears in Collections: | Research publications |
Files in This Item:
File | Description | Size | Format | |
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4-Crease(Final).pdf | Published version | 1.16 MB | Adobe PDF | View/Open |
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