The scenography of sublime space: a spatial methodology

Abstract

This paper serves as a contextualisation of the artistic project entitled “Nothing will come of nothing, speak again.” which entailed a working period and an exhibition in a disused chapel. The entire project (working process and exhibition) has been translated into a book, which is entered into the conference as a physical exhibit as well as a PDF file. This text should not be read separately from the book it describes. Using the book as a casestudy I will illustrate how it functions as a methodological tool that helps to unite theory and practice within one conceptual space.