Please use this identifier to cite or link to this item:
http://hdl.handle.net/1942/25434
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | IONESCU, Vlad | - |
dc.date.accessioned | 2018-01-18T14:05:52Z | - |
dc.date.available | 2018-01-18T14:05:52Z | - |
dc.date.issued | 2018 | - |
dc.identifier.citation | Predella journal of visual arts,(39), p. 113-119 | - |
dc.identifier.issn | 1827-8655 | - |
dc.identifier.uri | http://hdl.handle.net/1942/25434 | - |
dc.description.abstract | The following article discusses the iconological research of prof. dr. Barbara Baert (Francquis Chair 2016) on the Pneuma, a motif that includes breath, wind, ruach, odour, stains, movement and silence. It is based on her latest publication Pneuma and the Visual Medium in the Middle Ages and Early Modernity. Essays on Wind, Ruach, Incarnation, Odour, Stains, Movement, Kairos, Web and Silence (Peeters, 2016), a book that is related to her broader iconological research. The author argues that the value of prof. Baert’s approach consists in inventing an iconological method where meaning emerges from its relation to the latent sen- sitive potential of artworks. Baert's method subtly integrates iconology into a phenomenology of all the senses, from smell to touch and hearing. | - |
dc.language.iso | en | - |
dc.subject.other | art history; Barbara Baert; iconology; pneuma; incarnation; wind; stains; movement; kairos; web; silence | - |
dc.title | From nothing, from an “idea”: Barbara Baert’s iconology of immersions and transitions: Review of: Barbara Baert, Pneuma and the Visual Medium in the Middle Ages and Early Modernity. Essays on Wind, Ruach, Incarnation, Odour, Stains, Movement, Kairos, Web and Silence, Leuven-Paris-Bristol (CT), Peeters, (‘Art & religion’, 5), 2016 | - |
dc.type | Journal Contribution | - |
dc.identifier.epage | 119 | - |
dc.identifier.issue | 39 | - |
dc.identifier.spage | 113 | - |
local.bibliographicCitation.jcat | A2 | - |
dc.relation.references | Barbara Baert, Pneuma and the Visual Medium in the Middle Ages and Early Modernity. Essays on Wind, Ruach, Incarnation, Odour, Stains, Movement, Kai- ros, Web and Silence, Leuven-Paris-Bristol (CT), Peeters, (‘Art & religion’, 5), 2016. Leo Steinberg, The Sexuality of Christ in Renaissance Art and in Modern Oblivion, Second Edi- tion, Revised and Expanded, Chicago, The University of Chicago Press, 1996, p. 263. Alessandro Nova, Tanja Michalsky (eds.), Wind und Wetter. Die Ikonologie der Atmosphäre, Venezia, Marsilio, 2007. Alessandro Nova, The Book of Winds. The Representation of the Invisible, Ithaca (NY), Mc- Gill-Queens University Press, 2011. | - |
local.type.refereed | Refereed | - |
local.type.specified | Book Review | - |
dc.identifier.url | http://www.predella.it/index.php/component/content/article/55-issue-no-39/457-misce-39-ionescu.html | - |
item.fullcitation | IONESCU, Vlad (2018) From nothing, from an “idea”: Barbara Baert’s iconology of immersions and transitions: Review of: Barbara Baert, Pneuma and the Visual Medium in the Middle Ages and Early Modernity. Essays on Wind, Ruach, Incarnation, Odour, Stains, Movement, Kairos, Web and Silence, Leuven-Paris-Bristol (CT), Peeters, (‘Art & religion’, 5), 2016. In: Predella journal of visual arts,(39), p. 113-119. | - |
item.fulltext | With Fulltext | - |
item.contributor | IONESCU, Vlad | - |
item.accessRights | Open Access | - |
crisitem.journal.issn | 1827-8655 | - |
Appears in Collections: | Research publications |
Files in This Item:
File | Description | Size | Format | |
---|---|---|---|---|
9_Ionescu_pdf.pdf | Published version | 98.35 kB | Adobe PDF | View/Open |
Peer Review - IONESCU_Predella.pdf | Proof of peer review | 72.5 kB | Adobe PDF | View/Open |
proof of peer review (2).pdf | Proof of peer review | 386.93 kB | Adobe PDF | View/Open |
proof of peer review (3).pdf | Proof of peer review | 421.04 kB | Adobe PDF | View/Open |
proof of peer review (4).pdf | Proof of peer review | 394.12 kB | Adobe PDF | View/Open |
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.